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U.K. based audiophile cable maker Black Rhodium has had numerous positive reviews across the globe, and has been a great resource for those in shopping for high performance cabling at all price points. The cables are designed with solid engineering behind them, a bit of trial and error, and, yes, listening.  Black Rhodium now has a dedicated North American importer and distributor (Robert Meeks), proprietor of Buy Soma From India

Lead designer Graham Nalty graciously agreed to answer a few questions:

 

1)  Can you tell us a bit about your background and how Black Rhodium came to be?

My background is electrical engineering and I studied Mechanical Sciences at Cambridge University. I was interested in railways at the time so I joined British Railways to work in signalling. I then moved on to research into new signalling systems. At the same time, I always enjoyed music and, being and engineer, I built my own audio amplifiers. After 13 years with the railways, I left work to set up a shop to sell hi-fi equipment, specialising in demonstrating loudspeakers in customers’ homes. At the same time my interest in electronics pushed me to design audio amplifiers that had the best sound quality possible. I sold amplifiers in kit form to designs that I wrote that were published in specialist magazines. When that business reached a peak, I moved on to manufacturing amplifiers for sale. Whilst I was pursuing sound quality in amplifiers, I realised that good cables made the system sound better and I added the manufacture of cables to my amplifiers. Within a few years, sales of cables became more successful than amplifiers and by the mid-1990s, I concentrated fully on developing cables. I created the business Black Rhodium in 2002, after previously selling cables in the same brand as my amplifiers. The Black Rhodium brand has since progressed as further understanding of how the Laws of Physics affects sound quality has moved the business to higher and higher levels of sound quality.

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2) What about Black Rhodium designs, philosophy, business model, and customer relationships make it unique in the marketplace?

What is very special about Black Rhodium is the strong commitment towards achieving the very best sound quality by thinking through the design process, developing engineering solutions to minimising distortion, then developing prototypes and understanding which design techniques deliver the clearest sound. At Black Rhodium we take great pride in offering our customers products that really make a positive difference to their pleasure in their music. What is unique about Black Rhodium is the commitment to use every possible measure to improve sound, in contrast to those whose cables boast one special attribute, but whose design is not so string in other areas.

 

3) Can you tell us about how you test finished designs, and about your reference system, along with your musical preferences?

I always like to test finished designs first on a low cost system in comparison to a known product in my current range. I regard it as most important that a new design should give greater listening pleasure with greater separation of instruments and voices. I like a system with extreme clarity of sound and my loudspeakers are a small sealed box made from a concrete polymer material. This construction avoids the resonance that limits the sound in most wood or chipboard cabinets.

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4) What do you for enjoyment when not designing audio cables and running your business?

I enjoy going to the cinema and attending live musical concerts, especially large scale works such as Beethoven’s Choral symphony, Mahler symphonies, Choral music. This sort of music makes the heaviest demands on a home hi-fi system. I also have a strong interest in railways.

Subjective listening:

I installed Black Rhodium speaker and interconnect cables through out two systems, and they are have brought an unparalleled musicality. natural tone & timbre, and resolution to table that is difficult to give up. Specifically, the $275 Symphony RCA and XLR IC’s, and the $400 Foxtrot speaker cables are amazing values. The build quality and the custom connectors are unheard of at this price, and the aforementioned sonics are superb.

 

 

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Black Rhodium embraces the full depth of engineering and experience developed by Graham Nalty in many areas of high quality audio design. He has shown that considerable advances in audio sound quality can be achieved by the use of the highest quality engineering materials.

1975 – 1980

January 1 1975. Graham Nalty started in the hifi industry by selling loudspeakers through demonstration in customers’ homes.

 

1976. Graham Nalty’s first audio amplifier design for constructors was published in ‘Hifi Sound’ magazine.

 

1978. Graham Nalty opened ‘Graham Nalty Hifi’ shop in Derby.

 

1980 – 1990

 

In the early 1980s, Graham Nalty continued retailing hifi equipment.

 

July 1986. Graham Nalty designed the ‘Virtuoso’ modular preamp for publishing in ‘Electronics Today International’ magazine. This was the very first time that an amplifier kit design was offered with two levels of sound quality through the use a higher grade electronic parts.

 

1987. Graham Nalty publishes new amplifier designs for constructors in Practical Electronics and Everyday Electronics magazines.

 

1988.Graham Nalty publishes the ‘Virtuoso’ 100 watt stereo power amplifier in 3 different versions in which sound quality is progressively improved through higher grade components.

 

1989.Graham Nalty launches the DM20 amplifier dual mono integrated amplifier for sale through established hifi dealers.

 

1990-2000

 

1990.Launch of ‘First Mains’, the first mains cable dedicated to audio that used the designated mains colours for the cores.

 

July 1990. Very positive review of ‘First Mains’ in Hifi News. A increase in sales followed.

 

October 1990. Launch of the ‘VIOLET’ stereo interconnect with the innovative use of pure nickel conductors.

 

1993: ‘SILVER PINK’ stereo interconnect wins the Hifi Choice ‘Best Buy’ award. In a test of 10 cables, it was described as having the best sound quality even though it was the least expensive in the group.

 

1994: Launch of ‘VERMILION’ interconnect using titanium wire. This was quickly followed by innovative interconnects using molybdenum, niobium and rhodium plated molybdenum wires.

 

1995: Launch of loudspeaker cables using silicone rubber insulation.

 

January 1997. ‘VERMILION’ wins the prestigious 5 star award in What HiFi?

 

February 1996. ‘AST200x2’ BiWire speaker cable wins 5 star award in What HiFi? Followed by ‘S300’ in October and ‘AST200’ in May 1998.

 

February 2002. Launch of the ‘BLACK RHODIUM’ brand to signify the ‘exclusive’ quality of Graham Nalty’s cable designs.

 

2004. Launch of new high end cable ranges with their sound quality enhanced by a Deep Cryogenic Treatment down to –190o

 

September and October 2004. Public demonstrations of the benefits of Deep Cryogenic Treatment at hifi shows in London and Manchester. During these demonstrations, 89% of the people taking part in the tests were able to describe the audible improvements with DCT.

 

December 2005. Launch of Coral and Pearl HDMI cables HDMI cables for video.

 

November 2006. Launch of first non microphonic interconnect ‘PRELUDE’ . By eliminating microphonic noise, a layer of harshness was removed and increased dynamics were observed on high frequency percussive instruments.

 

May 2007. Launch of the first palladium interconnects, ‘CADENCE’ and ‘CANTATA’.

 

September 2010. Black Rhodium launches ‘OYAIDE’ high end products from Japan at the National Audio Show at Whittlebury Hall, Northamptonshire. Black Rhodium had been using Oyaide connectors in the assembly of the ‘CRUSADER’ mains power cable and was impressed by Oyaide quality that he decided to become their UK distributor.

 

2011-onwards

 

April 2011. Launch of the Black Rhodium DCT ULTRA process with the new ‘ORATORIO’ stereo interconnect. DCT ULTRA cables are twice processed by Deep Cryogenic Treatment. Initially the bare wire (or wire insulated in a high temperature insulation) is processed by the advanced DCT++ process. The wire is then used to hand-assemble and terminate the cable. Then the complete cable is sent for a second DCT process. To further enhance the sound, the Black Rhodium exclusive ‘Crystal Sound’ process is also applied to the cable.

 

Summer 2011. Black Rhodium launches new versions of its palladium wire cables using a new specially designed non-microphonic screened sheath and the new DCT ULTRA process.

 

October 2013. Graham Nalty launches the Graham Nalty Legacy Range of products. The Graham Nalty Legacy Range has been created to offer a platform for Graham Nalty’s original designs based on his long industry experience. The first products were the GN-1 and GN-2 innovative ‘Straight Line Contact’ 4mm loudspeaker plugs.

 

July 2014. Graham Nalty launches the Graham Nalty Legacy Range VS-1 Vibration Stabiliser after two years of testing the principle of applying mass damping to reduce audible distortion in cables. The Vibration Stabiliser is introduced in the Samba VS-1 loudspeaker cable which also uses GN-1 loudspeaker plugs.

 

November 2014. Black Rhodium launches the first 110 Ohm balanced interconnect cable Sonata. The Sonata is the first cable designed to reduce a much greater number of different distortion mechanisms in cables including magnetic distortion, microphony, RFI and dielectric absorption. The Sonata is also reduces mechanical vibration distortion when fitted with VS-1 Vibration Stabilisers.

 

February 2015. Black Rhodium launches the first DIN tone arm cable, STYLUS, using the Black Rhodium’s rhodium plated DIN connector.

 

June 2015. Black Rhodium launches Titan its first triple screened power cable to further minimise RFI in power cables.

 

May 2016. Black Rhodium launches Foxtrot and Quickstep loudspeaker cables based on the exclusive design features of the Thunder loudspeaker cable. Wins 5 Star and ‘Recommended’ award in full page review in Hi-Fi Choice July 2016

 

May 2017: Black Rhodium Receives award winning reviews for Stream Power Cable.

 

August 2017: Black Rhodium receives groovy and deeply groovy awards for Oratorio and Waltz.

 

Black Rhodium continues to develop award winning cables, in order to improve the sound quality of your Hi-Fi System.

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To celebrate Fusion becoming our ‘Best Selling Power Cable’ we are offering a special prize to a randomly selected customer who orders Fusion Power Cable by this email: Buy Xanax On Dark Web

The special prize is a Black Rhodium Power Stream with your choice of Power connectors.

We are also offering a free Fusion Power Cable if you buy 100m of our ‘Best Selling Power Cable.’

We would like to thank all of our Dealers, Export Distributors and our amazing customers for supporting this prestigious Black Rhodium cable.

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What Makes Fusion Power Cable So Popular?

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High Current Rating up to 13 Amps

Fusion mains power cables employ 19 stranded cores of 0.3mm diameter silver plated copper wires, making it suitable not only for equipment with high current demands such as Class A amplifiers, but also for power distribution from the wall sockets to a whole music playing system.

Low Transient Phase Distortion through Innovative Design

Fusion mains power cables are designed for low ‘Transient Phase Distortion’ by increasing the thickness of the inner insulation to 0.8mm. Fusion mains cables have been designed to give a very clear diction of a singer’s voice and separates musical instruments superbly through a dramatic reduction of ‘Transient Phase Distortion’. ‘Transient Phase Distortion’ is reduced by using thicker insulation than usual in cables, increasing the distance between conductors. This reduces the magnetic field seen in each conductor wire as a result of the magnetic field created by the current in the other conductor wire. The benefit in listening is a clearer and more open sound quality.

Advanced Manufacturing Techniques to Reduce Noise and Distortion

Fusion mains power cables use three silver plated copper cores for positive and negative signal flows and earth. The positive and negative cores are connected in opposite directions. Experience shows that when cables are connected this way, the noise floor between the musical notes lowers. This gives ‘blacker’ silences in the interval between musical notes and enhances the reproduction of the musical edges and natural decays in music.

Silicone Rubber for Low Dielectric Absorption and Clearer Sound

Silicone rubber insulation is used because its low dielectric loss ensures extremely low distortion. This is due to dielectric absorption effects in which sound energy is absorbed in the insulation and released at a later interval of time to create highly audible time-smearing distortion.

High Quality Connectors for a Good Connection

Fusion Terminated Mains Power Cables are fitted with selected high quality connectors chosen for their robust manufacture and superior sound quality. Further measures are taken to reduce mechanical vibration and RFI in making the connection between cable and connector. This is a special feature of the new terminated Fusion Power Cables.

Vibration Stabiliser to Reduce Distortion

Each Fusion VS-1 13A-IEC is fitted with a Graham Nalty Legacy Range VS-1 Vibration Stabiliser. The Vibration Stabiliser has been specially designed to reduce audible cable distortion in cables by limiting the effects of vibrations travelling through the conductor wires which can cause audible distortion to your music. The benefits of a tighter sound of the VS1 are enjoyed in all types of music, but in particular plucked strings such as double basses and harps are reproduced in a much sharper presentation as described in a recent review.
“a sense of greater spaciousness around each instrument that helps me to appreciate that the orchestra is composed of a number of individual instruments . . . . .”
HI-FI CHOICE MAY 2015
Specifications of Fusion and Fusion VS1 mains power cables:
  • Silver plated copper conductors for improved high frequency clarity
  • 19 x 0.3mm diameter conductors with 13A power rating
  • Low loss silicone rubber insulation for low dielectric absorption distortion
  • 0.8mm insulation thickness to reduce ‘Proximity Effect’ magnetic field distortion
  • Terminated cables include additional measures to reduce RFI and mechanical vibration distortion
  • Distinctive yellow cable colour
  • Cables can be supplied with Schuko plugs for Europe and UL plugs for USA Cables can also be supplied with C7 or C19 IEC sockets
  • Vibration Stabiliser weight 155 g (VS-1 versions only)

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Last year I met Steve Dickinson who was reviewing some Black Rhodium cables for Hi-Fi Plus magazine. During our many discussions, Steve mentioned some manufacturers who claimed that there was an optimum length for power cables. Although at first sceptical, I realised that the wavelength of a 50 Hz mains supply was 6.8 metres and that the quarter wavelength of 1.7 metres was a useful length for power cables.

Curious to test this theory, I assembled a batch of power cables of some 15 different lengths from 0.8m to 4m, all with the same cable (Black Rhodium Fusion) and connectors. All cable lengths were cut accurately to the required length. These were tested on my own systems and also on systems of interested friends. We all agreed that the best sound came from a cable of length 1.65m. When unwound, a 1.65m length of cable measures 1.68m, very close to the quarter wavelength of sound at 50 HZ.

Further testing of the many different lengths revealed that lengths very close to fractions of 1.7m (0.85m, 2.5m, 3.3m) all tended to sound slightly better than other lengths such as 1m, 2m, 3m and 4m. Whilst the 3.3 metre length might have been expected to sound better than 1.65m, it did not. I have to assume that as the lengths increased, those distortions that increase with a cable length such as RFI or magnetic field effects were having a greater effect.

Comparing the difference in sound between 1.7m and 2m cables lengths, reviewer Christiaan Punter of Hi-Fi Advice says “The 1.7m Stream cable sounds tighter, more controlled and more focused with a tightly locked center image. This is a very well balanced sound and highly refined with just the right amount of bite. The 2.0m Stream cable sounds more spacious at first and even more relaxed but is less articulate overall, less well defined in the bass and less precise in terms of imaging. Swapping back to the 1.7 indeed it seems obvious why they have chosen this length.” The full review can be found at Buy Valium In Bangkok

Since testing different lengths of power cables, I have looked at many power cable manufacturer web sites. Only two have actually stated their optimum cable length and these were 1.5m and 1.8m. Which means that we are only at the very start of discovering why power cables appear to have an optimum length for sound quality.
From the science, it does seem that the passage of 50 Hz power through the cable is causing minute changes in electrical and magnetic fields that are translated into mechanical vibrations at this frequency. These vibrations will occur at 50 Hz and for some reason their effect on the sound quality of the system may be minimised as a result of the cable length being close to fractional lengths of the wavelength.

Graham Nalty
19 October 2017

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Does size matter? Yes, says Black Rhodium – and Jon Myles agrees as he tries out the company’s new Stream 1.7m power cable.

Different manufacturers will quote different attributes and assets for the design of their hi-fi power cables. But not many list length as a key component. Black Rhodium do, though. In fact they say they’ve carried out extensive listening tests to prove it. And so, fresh from their Derby HQ in the East Midlands, comes Stream – a high-end lead boasting a precise construction and terminated to exactly 1.7 metres. Longer lengths are available at a premium to the £450 standard cable but Black Rhodium’s main man Graham Nalty says 1.7m simply sounds the best. Graham first showed me a prototype of the new cable at the High End Show in Munich in 2017, but it has now finally reached production. The company tested various different mains cables during the design of Stream and came to the conclusion that cables in multiples of 1.7m gave a greater improvement to components than those of slightly below or above – perhaps down to the fact that this aligns closely to the quarter wavelength of the 50Hz mains frequency.

Internally Stream uses silverplated copper conductors with a silicone rubber insulation for low dielectric loss. Increased distance between the conductors reduces the interactive magnetic field. A metal screen is employed to combat RFI while the whole cable features a thick, braided sheath and either a standard 13 amp UK or Schuko plug can be specified on order. While Stream is thicker than your standard mains cable or cheaper after-market alternatives, it is still sufficiently flexible so fitting more than one in a tight space between a rack shouldn’t be a problem. SOUND QUALITY Whether it’s Black Rhodium’s wavelength theory, all the screening that goes into Stream or a combination of both, it certainly proves its worth in action. Starting with a NaimUniti playing both CD and high-resolution streamed files, the music had a tighter, more focussed sound. The kick drum on Pixies’ ‘Here Comes Your Man’ had more depth to it through a pair of Neat Iota Alpha loudspeakers, the wandering bass line having plenty of definition. Playing Dusty Springfield’s ‘I Only Want To Be With You’ the soaring strings moved from a homogenous whole to individual instruments – with Springfield’s vocals anchored firmly between and above the little ‘speakers.

Switching to a McIntosh MC152 power amp, the Stream cable had even more impact. I was struck by how well it presented a stereo image – seeming to push the music further out into the room. With Model 500s ‘No UFOs’, the left/right effects were positively ricocheting off the walls, so precise was their placement. That’s not to say this cable is clinical in any way, however. It accentuated the McIntosh’s rich, velvety midband throughout Jacques Brel’s ‘Infiniment’ to bring a warmth to his Gallic vocals without losing any of the bite. Indeed, I’ve rarely heard this collection sounding so good – as evidenced by the tingle in my spine when Brel takes a sharp intake of breath partway through and the music drops out before coming back a second later. That’s the beauty of this new Stream cable – it makes components sound more precise and controlled yet at the same time imparts a rich tonality which makes all music sound organic and free-flowing.

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CONCLUSION
Who thought power lead length could make a difference? Black Rhodium, obviously – and Stream proves them correct. It’s an excellent cable and amongst the best at its price-point.

BLACK RHODIUM STREAM £450 (PER 1.7 METRE LENGTH)

OUTSTANDING – amongst the best

VERDICT A tuned-length mains cable with great sound.

FOR
– stereo imaging
– clarity
– focussed sound
– rich midband

AGAINST
– not cheap

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Our Passion For Sound Quality

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At Black Rhodium we are determined that our customers will enjoy the highest quality sound, and experience all the subtle nuances that make a musical experience truly great.

We want you to move to the rhythms, marvel at the dynamics, experience the ambience of the recording acoustic, thrill at the excitement of music, and be moved by the emotion and drama that music can convey.

 

Commitment To Using The Best Materials

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We have thoroughly researched the sound quality of the materials used in our cables and are determined to use the very best for the price. In our cables you can find anything from high quality tinned copper, 99.99% pure silver or even 99.97% palladium wire in our Enhancement and Revelation Ranges.

To insulate our cables we use materials with very low dielectric absorption to avoid time smearing of your music by energy absorbed in the insulation.

 

Using the Most Effective Manufacturing Techniques

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We have discovered many manufacturing techniques that reliably deliver improved sound quality that allows you to enjoy your music even more. These include:

 

  • Twisting of cables to reduce externally generated noise
  • Using a low micro-phonic layer in some interconnects to extend musical dynamics
  • Advanced Deep Cryogenic Treatments plus our exclusive  Crystal Sound process to add improvements to the Depth, clarity and Timing of your music
  • Rhodium plating of conductors to add greater excitement to your music
  • Using simple and effective techniques in our low distortion range of cables to offer superior sound quality and value for money backed up with independent reviews from leading magazines

 

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We work closely with UK cable manufacturers in the design of our cables. Our close relationships with market leading companies means we have applied special manufacturing techniques that differentiate our cables from others.

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